Sgt. Rock: The Lost Batallion #4 (of 6) (DC)
Terry Moore's Echo #10 (Abstract Studios)
Fantastic Four #564 (Marvel)
Superman #685 (DC)
Umbrella Academy: Dallas #4 (of 6) (Dark Horse)
Back Issue Bin Special: Swamp Thing #10, June 1974 (DC)
Sgt. Rock: The Lost Batallion #4 (of 6) (DC)
* * * *Sgt. Rock and Easy Company are still trapped in the Forest de Champ, and the Nesei Company of Japanese soldiers struggle in their attempt to free the Lost Batallion. Amid the chaos and carnage of war are some of the quiet scenes of war, with German and American troops plaing
Lili Marlene on harmonica, as well as depictions of soldiers looking out for each other. The story, with intermittent illustrations by Correspondent Killroy of
Up Front magazine (an homage to Bill Mauldin and his book
Up Front) continues to be a great story. I can't wait until the conclusion to see how Easy Company and the Nesei Company of Japanese-American soldiers fare in this battle. I'm no WWII history expert, but this story feels like Billy Tucci did a lot of research to authenticate his story.
Terry Moore's Echo #10 (Abstract Studios)
* * * * *Ivy has some questions for HeNRI, and Julie and Dillon are still on the run. Ivy has shown herself to be a thorough and fast searcher when trying to find someone who doesn't want to be found. It's a quick read, most of the issue being several conversations that happen within minutes of each other, and the ending is the biggest cliffhanger of the series so far. Being a "quick read" in this case is not a bad thing. The plot advancement and character development kept me interested, and made me want to read this issue again just to savor the details of the story a little more.
Fantastic Four #564 (Marvel)
* * * *First of all, there's the Bryan Hitch cover, an homage to the famous Norman Rockwell thanksgiving painting, with the family around the dinner table anticipating the delicioius turkey they are about to partake. Inside is an unusual Christmas story, in more ways than one. It's unusual to have a Christmas issue of a title appear two months after the holidays are over, but it doesn't take away from the story. It's interesting to find out what the children of Reed Richards get for Christmas. You can bet it's nothing you can find at Wal-Mart. The issue begins with a flashback of the area of Scotland the FF are visiting in the story. How it connects to the FF will be determined in upcoming issues, beginning with the next one, if the last page has anything to do with it. Some shadowy figures are interested in one member of the FF family. what they have to do with the incident in the beginning flashback is a mystery. This particular story, beyond the setup of the coming threat, is a quiet story mostly, introducing us to a member of the Richards extended family. The character moments are as interesting to me as any fight scenes, in this or any titile. Maybe it's a sign I'm getting older. Well, next month I'll be a month older and waiting to pay for the next issue of
FF at my local comic book store,
Acme Comics http://acme-superstore.com/ .
Superman #685 (DC)
* * * * *Superman never gets physically tired, but we find out what makes him weary. While the scene depicted in this Alex Ross cover, which is always a great reason to buy a comic book, the consequences of Pa Kent's death figure in this issue, after the development of New Krypton. Plus. I like that Alex Ross shows himself a fan of old-school Superman, as Pa Kent is portrayed in a more tradiotional fashion than in recent storylines. First of all, Mon-El is now free of the now destroyed Phanotm Zone, but not of the lead poisoning that sent him into the zone for survival to begin with. There is an interesting panel that ties into the still ongoing, and late,
Final Crisis: Legion Of 3 Worlds. There is an unmentioned, but visual hint that Superman's thoughts are on what happened to Chris Kent, who was sucked back into the Phantom Zone at the end of the General Zod story. The Guardian makes a cameo. The emphasis of this issue is the choice Superman feels he has to make. The split panel conversation he has with the two most important people in his life is very well done, and is a nice storytelling technique. The last two pages are especially heart rending. this issue sets up upcoming storylines and mini-series involving Superman. The art by Javier Pina is excellent.Some panels remind me of Curt Swan's Superman, which is always a great thing.
Umbrella Academy: Dallas #4 (of 6) (Dark Horse)
* * * * *This issue fleshes out why this mini-series is subtitled
Dallas. This story is just as great, if not better, than the original min-series, and that was a hard act to follow. Gerard Way has written another excellent story, even more bizarre, and bloody, than the first
Umbrella Academy story. A minor character who appeared early in this story has a more prominent role in this issue. what his connection to the Umbrella Academy is yet to be determined, and it is going to be fun finding out. The story of Number 5 is further developed as well. While
Umbrella Academy will never be appropriate for younger readers, it is an interesting, bizarre story that takes twists and turns with every issue, if you can tolerate the blood and gore. Seance, Kraken and Spaceboy are also on the trail, and the cliffhanger on the last page is as big as it can get. And the cover with Rumor is about as original an idea as I've seen. It reminds me of some of the Julius Schwartz cover ideas for DC in the 1960's, like the
Flash issue where he says"Stop. Buy this issue because my life depends on it."
Back Issue Bin Special: Swamp Thing #10 (DC), June 1974 (DC)
* * * * *Acme Comics (
http://acme-superstore.com/ ) had a $1.00 back issue table set up outside the store this Wednesday. I thumbed through it just to see what was there, not expecting to find anything I would want. In one of the boxes was this issue of
Swamp Thing. As much as I like the character I have not read many issues of. I had this issue, which was the only one of his original run I ever owned. And I have only read very few issues of Alan Moore's run on the title. The only other Swamp Thing story I have is a team-up, of sorts, with him and Superman, which was reprinted in
The Greatest Superman Stories Ever Told (1987).
Swamp Thing #10 was part of the original run by co-creators Len Wein and Berni Wrightson. Still printed on newsprint and the limited printing process used by comic books of the era, this isue was one example of what could be produced in comics even with the production limits. This story was the return of Swamp Thing's archenemy Arcane and his Un-Men, who have reappeared recently, sans their master. We get a brief recap, for those who came in late, like me. The issue also involves the story of a slave plantation that used to exist on the site the Swamp Thing finds himself. The story of the long gone slave plantation does figure into the conclusion, but you'll have to read the issue to find out. It was great to own this issue again. I've read this issue several times since I bought this copy. I could find no information on any trade paperback or hardcover reprints of this original run, so if you want to read this issue you'll have to go on line or find it in back issue bins like I did.
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